My book is currently "out of print" but I have (2- or 3) available. You can listen to it here on my site. I'll include the download.
My book, “Notes of a Young Drummer 1966-1969” was printed and delivered to me in 2013. When I authored my Quadragrip book in 1980, I had not idea to imagine I would ever be writing, producing and self-publishing again. I thought my Quadragrip was a one-off project, inspired and special. I didn’t think about “writing” since, I wasn’t a writer, I'm a musician.
The stories in “Notes” were all memories from my past. In the early 70s I had a few scribbled pieces of paper with a couple of my stories. My “Night in the Hattiesburg Jail” was one of them. But, the complete physical writing of the stories on paper didn’t exist until I began the project in 2006. It was a (7) seven-year project with my final proof read and submission to be printed in 2013. Opening up the box that contained my printed books was one of those special days, never duplicated.
It was a long period from 1980 to 2017 without writing or publishing a paperback book. During that period I was recording, producing and releasing my music and drum track library. There are similarities in producing music, but playing an instrument, engineering and everything involved in making a music project is different than writing a book.
Of the 25+ books I’ve authored, “Notes of a Young Drummer 1966-1969” is a very special project. Every word, phrase and sentence in that book was scrutinized and checked hundreds of times.
The learning curve of the technical mechanics to format a paperback book was involved in this project. I was a paperback publishing new-be. The format of the book cover and interior design was a new experience. There are a few layout rules that must be understood and followed. It may not be easy for first timers, but it’s quite simple and convenient to self-publish when you understand the technical design and format rules.
BA DA BOOM
The photo of ME on the cover of my book, “Notes of a Young Drummer 1966-1967” was taken by my Mom, maybe. It was the summer of 1967, (50+) Fifty plus years ago. I was (17) seventeen years old. I talk about this gig in my book, but here’s a quick reflection.
That picture is from my gig, (Summer 1967) at The Cork Room. The Cork Room was a club in Cocoa Beach, Florida. It was/is physically located on what’s known as the Merritt Island Causeway or 528. The club was a topless go-go room with a show band including Larry D and The Show-Rockers. Topless go-go girls were dancing on that little stage a foot from my Zim-Gar (Ludwig Decal) drumset and me. It was quite an experience for a 17 year-old young drummer to be making $125.00 a week, playing my drums and watching go-go girls, creating music with a group of experienced professional musicians. Everything I see from this picture makes me think back 50 years ago, reflecting on my journey as a musician.
I tell my stories in “Notes of a Young Drummer 1966-1969” in my book. Most 17-year old drummers were playing in bands with kids their own age. My journey was different. Although my journey was different and unique, many of my stories are similar to the stories I’ve heard from other musicians playing music in the 60s. We share the bond of being there and doing it. Some of us are survivors of a period and environment that could be detrimental to your physical, mental health and life. Those that read this book (especially musicians) always tell me they enjoyed it and have a similar story. I choose the period of 1966-1969 because that period in my musician life was full of adventure and musical activity. The musicians I shared a bandstand with were friends and teachers as I learned to play the drumset, being a “professional” musician. Every tune I played was a learning experience. Every club or venue had certain qualities of sound and smell. The 1960s was a great time to be a musician.
In producing this book, I read the book and recorded a drumtrack solo for each of the (over 300) stories. I approached this with my drumtrack being the soundtrack. I’ve tried to compose a special drumtrack solo that relates to the text and story. I really prefer the audiobook version. I enjoy reading, but the audio version with my drumtracks is my choice.
I started writing my observations onto paper in the 70s. There were a few of my stories from Notes and The Road Is. In 1984 I had the opportunity to participate in a 3-week study program with Elvin Jones, Allen Ginsberg and Robert Frank at The Atlantic Center for the Arts. Studying with Elvin was certainly a life changing experience. I would later begin to learn more about beat writers and experimental filmmakers. This launched me into my quest to incorporate my work into drumming, media and spoken word. Much of the material published in Mr. Welch was written between 1995 and 2015. At that time, I was under the influence of Charles Bukowski, William Burroughs, Hunter Thompson and Jack Kerouac. As a writer, musician or any genre of artist, I believe you are expressing who you are, your feelings and personality. I’m not the same person I was during that period. Much of my narrative monologues written during that period came from my anger and frustration with what I perceived in the world. Though much of it may be true, I’ve resigned myself from being that writer. The (4) books I’ve authored with my narrative monologues are complete, there won’t be any more. Playing drums and producing other projects are my priority.
Includes unlimited streaming of Notes of a Young Drummer 1966-1969 (free download) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
8 Boom Boom the Bass Drum (bundle)
Boom Boom the Bass Drum - Coloring Book - Characters
Boom Boom the Bass Drum - Quarter and Eighth Notes
Boom Boom the Bass Drum - BoomWhacker Ensemble
Boom Boom the Bass Drum - The Beatles Coloring Book
Boom Boom the Bass Drum - I Love Jazz - Coloring Book
Boom Boom the Bass Drum - Instruments of the Orchestra - Coloring Book
Boom Boom the Bass Drum - Learn 24 Music Notation Signs
Boom Boom the Bass Drum - Music and Math
24 Music Notation Flashcards
24 Note Tile Sheets
Quarter Note Beat Ensemble
Eighth Note Beat Ensemble
Music Notation Bingo
24 Music Notation Flashcards (B&W)
Lines and Spaces
Young Mozart Music Station (Book One)
Music and Math
Young Mozart Music Station + Consultation
24 Music Notation Cards
Rhythm and Math Cards - Boom Boom
Traceable Alphabet Mat - 5 piece bundle
Data Disc Loaded with special order music/video/data - $40.00 up
Consultation / Quadragrip / Business / Author / Publishing / Improvisation
Quadragrip / Music Improvisation / Business Consultation
Young Mozart Music Station / 30 Minute Consultation
The Business of Music - BaDaBooM + 60 minute Consultation
Quadragrip Digital Download + 1 hour Consultation
Quadragrip4TrapSet (new edition) 2018
The Road Is
Trilogy of these 3 out of print books /
Are You Serious ( out of print ) limited edition
You Play The Drums (out of print )
i The First Person (out of print )
Mr. Welch ! Who Do You Think You Are ?
Tommy Thomas Percussion Library-334 page book
Quadragrip Mount Dora, Florida
ABOUT THE AUTHOR / MUSICIAN
In 1984 - at the age of 34 - Michael Welch was accepted into the Masters Resident study program at the Atlantic Center for the Arts. He would study for 3-weeks with Jazz Drummer Elvin Jones. Known for his creative drumming in the John Coltrane Quartet. Also participating in the trio of master teachers was Allen Ginsberg and Robert Frank.
Streaming and Download help